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To a high-def TV set, but only if you purchase the optional HDMI mini-cable. As with Live View, continuous phase-detection AF is possible whilst shooting movies on the A58, a distinct advantage over most DSLR cameras and fast enough to rival Compact System Cameras like the Panasonic Lumix GH series. It allows you to track fast-moving subjects without having to resort to manual focusing, ideal for users who are used to compacts that can auto-focus for both still and moving images. In addition to continuous AF and manual, the selected AF Area can be changed within the frame to easily create the professional "rack focus" effect, where the focus moves between the background and foreground subjects. Zte axon 7 cheap Also pleasing is the ability to change the shutter speed or aperture during recording with Program, Aperture-priority, Shutter-priority, and fully Manual recording modes all on offer. Exposure compensation, creative styles, picture effects, white balance, AF area, tracking auto-focus and metering mode all apply equally to stills and moving images too. When focusing manually, Sony offers two Focus Magnifier zoom levels to aid in determining the precise point of focus, either 5. Also included is the "focus peaking" display which was first introduced in the NEX-C3 compact system camera. Peaking is a feature that provides a level of hand-holding for manual focus users. Used in conjunction with the magnified focus assist, this makes it a cinch to focus accurately on a specific part of the subject, something that the majority of digital cameras have struggled with. It can even be used in the movie mode, again providing a real boon to your creativity. The new Auto Object Framing mode builds on the previous generation Auto Portrait Framing mode by using face detection, By Pixel Super Resolution technology and the rule of thirds to automatically take better pictures of still lifes, moving subjects and macro close-ups. From the front the Sony A58 looks unthreatening to the novice DSLR user. Apart from a familiar ridge housing the pop-up flash above the Alpha lens mount, its most distinguishing feature is the traditional handgrip complete with leather-look rubberized covering that extends around the side of the camera.

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Built into the grip itself is a narrow sliver of a window for the remote sensor, should use of one be required as an optional extra. In the absence of any top-mounted LCD window, users can twist this to rapidly scroll through screen menu options and folders, a task also achieved in slower, steadier fashion by tabbing through the same using the familiar four-way control pad at the rear, as well as adjust apertures and shutter speeds. A small Depth-of-field Preview button is located at the bottom-left of the lens mount. Over at the other side of the lens mount we find a comfortably large button to release the lens, adjacent to which is a self-explanatory slider switch for alternating between auto and manual focus. The shutter-release has a definite half-way point, with the focus points (a choice of 15) rapidly illuminating green in the viewfinder and a confirmation bleep signaling that focus and exposure has been determined and the user is free to go on and take the shot. With an imperceptible shutter delay, a full resolution JPEG is committed to memory in just over a second in single shot mode, a RAW file in three. Pressing the same button again switches to the LCD, automatically blanking out the viewfinder with the rear screen bursting into life instead.

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The built-in flash can also trigger an optional wireless accessory flash. At the rear of the A58 we find a tiltable 2. Instead of the bulky optical viewfinder of a conventional DSLR, the Sony A58 has a smaller OLED electronic viewfinder. It has a high-contrast display, 0. As the EVF is reading the same signal from the image sensor as the rear LCD screen, it can also display similar information, with a choice of five display modes. The various icons used to represent the camera settings are clear and legible.

The icing on the viewing cake is the clever built-in eye sensor, which automatically switches on the viewfinder when you look into it, then switches it off and turns on the LCD monitor when you look away. To the left of the electronic viewfinder is a button marked Menu. Press this and a number of shooting and set up folders appear on screen, with white text on a black background aiding visibility. The Movie folder contains the video quality and audio options, while the four Customise folders allow you to tweak the A58 to your way of working.

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Playback, Memory Card, Time and two further Setup folders allow the likes of the LCD brightness to be adjusted, the help guide to be turned on or off, plus user languages, folders and file numbering to be specified. Just below and to the right of this is a welcome dedicated button for one-touch movie recording.

A second marked AEL locks the exposure and also doubles up as a means of zooming into images and magnifying detail when in playback mode, while a third usefully sets the Exposure Compensation. For each of these creative options, contrast, saturation and sharpness can be individually adjusted.

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Picture Effects are a range of 11 creative effects that can be previewed on the LCD screen or electronic viewfinder and applied to both JPEG stills and movies. Beneath the Function button we find a familiar four-way control pad. Press this and, as with a press of the shutter release button, the camera will automatically and rapidly determine a point of focus for you. Underneath these options is a playback button for the review of images and a self-evident trash can button for deleting images on the fly, which also doubles up as the Help menu button, essentially a mini in-camera user guide aimed at beginner users. On the left of the A58 is an HDMI output in order to hook the camera up to an HD TV (the cable is once again an additional purchase) alongside the Multi Interface and external microphone connection, all protected by the same rubber flap, alongside the DC In port. Two partially recessed metal eyelets on either side of the body allow the supplied camera strap to be attached.

Before the touchscreen era, the company was among the top mobile phone brands in the world, but has lost significant market share and does not figure in the top five names anymore. As It supports memory card types of Memory Stick Duo, SD, SDHC, SDXC. Overall, this camera weighs 2. For reprint rights: Times Syndication Serviceconnectivityaccessories inboxLens hood, Lithium battery CR2025 for the IR Remote Commander , CD ROM, Operating instructions in PDF, Operating instructions, AC L100C AC adaptor, AC Cableresolution availablememory card typefocal lengthdimensions wxhxdbattery typetypewifiexposure lock3dtypedisplay typehot shoeflash mount. The Sony Ericsson LiveView is compatible with Android smartphones running Android 2. Have a look and our article on Android vs iPhone to see which smartphone and mobile platform is best for you. Instead of being mirrorless, the new digital cameras employ a "translucent mirror," more commonly known as a pellicle mirror.

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This advanced translucent mirror remains fixed in place during operation, allowing most of the light to reach the imaging sensor, while a small percentage is reflected to a dedicated autofocus sensor. Few other large-sensor cameras offer frame rates this fast. Real-time phase-detect autofocus is also constantly available in Movie mode, something no current SLR can achieve.

Unlike SLD cameras, though, the Sony SLT cameras all accept the entire line of standard Alpha-mount lenses, a significant advantage if you already own a large collection of Alpha-mount glass. Since the translucent mirror only reflects enough light to provide for the autofocus sensor, not an optical viewfinder as most pellicle designs permit, Sony has adopted full-time live view in the Alpha A33 and A55. In place of the optical viewfinder from a traditional SLR, the SLT ca

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